Helen Chadwick, Life Pleasures, 2025

This poster accompanied the 2025 exhibition Helen Chadwick: Life Pleasures. British artist Helen Chadwick (1953 – 1996) embraced the sensuous aspects of the natural world, breaking taboos of the ‘traditional’ or ‘beautiful’ in art history.
This major retrospective was the first in over 25 years, and charted the development of Chadwick’s art from her renowned degree show piece In the Kitchen (1977) through to her Piss Flowers (1991–2). Chadwick’s experiments across mediums were innovative and unconventional; typically combining aesthetic beauty with an alliance of unusual, often grotesque materials. She consistently expressed a feminist perspective steeped in humour, and employed a vast range of materials in unexpected ways, incorporating bodily fluids, meat, flowers, chocolate and compost into her works. 
Through her skilled use of traditional fabrication methods and sophisticated technologies, she quickly established herself as a leading figure amongst Britain’s post-war avant-garde, becoming one of the first women artists to be nominated for the Turner Prize in 1987.
The exhibition highlighted Chadwick’s significant impact and contributions to British and international art history by demonstrating her relevance to contemporary feminist concerns, her evolution of material culture and her consistently playful approach.